Repeat Pattern Over and Over Again
Without a uncertainty, rhythm in art can be considered one of the fundamental principles of art and its production. Interested in exploring more and understanding in depth yet another of its elements, the repetition in art is quite possibly one of the most interesting methods that the artists implement to create a certain move, stillness, design, confusion, to insubordinate against the notion of tradition, re-define the idea of the original and the copies, or to cast true focus on one role of the artwork that either makes the work more visible or purposely invisible. Seen as 1 of the virtually important techniques for reduction, repetition is used in an equal amount both in music and visual arts[1] and is seen as both aesthetic and poetic device [2].
Why repeat? Exercise repetition artists utilize the same motifs over and over over again to attain perfection or is there something more than to repetition art? This and much more we have researched for you, then delight read on.
Definition of Repetition in Art
Before we render to some of the most memorable pieces of repetition in art and turn our focus on its history, nosotros need to accept a step dorsum to mention the definition of repetition in the visual product. Seen as one of the fundamentals of creativity, repetition, in a similar fashion to the rhythm, helps to create a sense of movement within an artwork. In visual production, it is a recurrence of a particular line, pattern, shape, or other visual elements in a single or part of the series[3]. The production of something which is repetitive yet at the same time exciting is a challenge, as many consider the recurrence as boring and nonetheless. The element of repetition in art many authors used on purpose to comment on the state of the world effectually u.s. and to challenge the public to slow downwardly the race for the achievement of consumerism gods and idols. Sometimes the repetition is used to build a sense of tension if no variations are implemented and information technology is ofttimes in the subtle particular that the central to the agreement of such pieces lies[4].
There is a variety of means in which the repetition in art can occur. Information technology can be fifty-fifty or uneven, regular or irregular, it can course radiation, occurring when the repeat of elements is spread out from the cardinal point, or a grade of graduation, where the parts slowly become smaller or larger[5]. Working with repeated patterns, and this was highly regarded during the Fine art Nouveau period and its blueprint-making production, the surface of the work is enhanced, therefore made more interesting to the public, and at the same time, a sense of order is added to the composition. Equally a tool, repetition in art helps to build not only the visual part of the work but information technology often provides a deeper meaning to the artwork, hiding a more than philosophical and conceptual identity.
History of Repetition Fine art
If we plow abroad from the definition of repetition in art and avoid to comment on every repeated line, surface, color, pattern, and image in visual inventiveness, today aided past the computer-based images, our attention is undoubtedly turned towards the concept and the inner workings of the artist or the detail period of production and the decision as to why they used repetition. We enter a world that speaks almost the repetition in the choice of the subject matter, evident in the production of Claude Monet, Wassily Kandinsky, Kazimir Malevich, that formed some of the most influential avant-garde movements, or a world that uses repetition in art as a commentary tool of consumerism and mass production, decorating the creativity of Andy Warhol or various Minimalism artists.
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The definition of repetition in fine art changed throughout the years. Few of the major concerns that arise when 1 speaks nigh repetition are for sure issues of originality, authenticity, and appropriation. This is a major concern for the Postmodernism philosophy and the Dada readymades are marked every bit important images that ridiculed the need of tradition to provide special meaning to the product and the pick of materials. Pop artists, minimalists, functioning, and conceptual authors, adopted the concept of undermining the authenticity and value. Appropriation in art, based on the re-use and on the repeat of existing images, raises concerns of copyrights since many contemporary artists utilize accessible imagery with little or no alteration to the original. Such subtle changes enhance questions of identity, and if the new pieces trivialize the original[5].
Famous Repetition Artists
Over the last two millenniums, many artists of both the past and the present have focused on abiding depictions of the same subjects and motifs in their piece of work every bit this repetition is encoded in the very Dna of art creating - practice makes perfect. Equally aboriginal painters and sculptors created the same pieces over and over again until they've mastered their skill, this practice was carried over to the times of Renaissance and Baroque. Withal, early avant-garde artists were the beginning ones that started repeating exactly the same motifs without emphasizing the goal of getting more proficient at painting, but instead striving for other intentions. Since then, repetition started to exist a concept through which getting better was not the result an artist was going for. This radical conceptual change proved to be an fantabulous fit with the anti-traditional art forms of the 20th century, with many individuals relying on abiding presentations of the same subjects and motifs to achieve the desired goal. Nosotros will now present yous with a list of the nigh interesting artists that worked or still work inside the conceptual borders of repetition in art practice, all of them striving for dissimilar results with such creative strategies.
Claude Monet
Who better to acme this listing than the very homo who established the modern concept of repetition without intentions of simply becoming more skilled? Claude Monet was a legendary French painter who was a leading figure in the time of Impressionism, arguably the first avant-garde motion, although this merits has been often disputed. All the same, the fashion impressionists approached their visuals was so radically different from classic art that the unabridged movement, including Monet, tin safely be placed in the avant-garde category without much trouble. Claude aspired to paint the aforementioned sight over and over again in club to capture the view'south unlike land depending on the fourth dimension of the day in which Monet would paint them. Through this repetition, he would brand serial of such paintings out of which the well-nigh acclaimed are depictions of water lilies, train stations, grain stacks and cathedrals. Focusing on natural light, Monet did not modify the perspectives or equipment, only the time in which he would paint. These pieces are not but important for the Impressionism miracle but are also iconic for their evidential role in presenting an advanced mindset of an artist that desired to break the bonds with traditional forms.
Piet Mondrian
Another avant-garde artist on our listing, Piet Mondrian was a painter, theorist and writer who believed that art should reflect the underlying spirituality of nature surrounding us. In order to somehow brand his aesthetics reflect such an opinion, he simplified the subjects of his paintings down to the most basic elements, revealing the essence of the mystical free energy in the balance of forces that govern nature and the universe. Through such strategies, Mondrian eventually established a strict visual vocabulary of squares and lines, presenting subjects in a bones vertical and horizontal fashion. This methodical progression of his artistic style from traditional representation to complete abstraction did not come over dark, but one time established, Piet's entire output was consisting of repetitive depictions of squares with unlike colors, separated by strict bold lines. Mondrian's bailiwick in presenting squares is 1 of the most famous repetitive concepts in art and the Neo-Plasticism theory behind them was a key moment of abstraction in painting.
Andy Warhol
The unofficial male monarch of repetition fine art, Andy Warhol is the legend of the Popular art phenomenon and 1 of the most commercialized names of the 20th century. Inspired by the imagery of pop civilisation, Warhol simultaneously historic and criticized consumption choices and mass (re)production, effectively turning his work into a repetitive whirlwind and establishing the grounds for the nigh successful Post–World War Two fine art motion. Working in a broad range of media including printmaking, painting, manus cartoon, silk screening, sculpture, photography, music and motion-picture show, Warhol became famous and influential for his repetitive images of soup cans, soda bottles, dollar bills and iconic portraits of celebrities like Marilyn Monroe, Mick Jagger, Elvis Presley, Jimmy Carter, Prince and Elizabeth Taylor. Andy would oftentimes insert identical pictures into one piece, assembling them with bailiwick and differencing them only with color. These illustrations, prints, and posters of the same subjects repeated in regular rows are some of the well-nigh iconic images of the 20th century, credited with re-defining many concepts and setting new standards in contemporary art.
Yayoi Kusama
Although the Japanise artist Yayoi Kusama creates in a diverse field that consists of everything from painting to sculpture, every single piece she ever produced has ane same motif all over information technology - endless dots. These seemingly endless repetitive motifs are the trademark of Yayoi Kusama's art and somewhen became an instant requite-away that y'all are observing ane of her pieces. Through her art of spots, Kusama proved one can work within mixed concepts of feminism, minimalism, surrealism, Art Brut, pop art and abstract expressionism without endangering any one style. Furthermore, the level of repetition of psychedelic colors became the nearly consistent ane in the history of mod Asian fine art as Yayoi has been agile for over threescore years. Due to her unique artistic vocabulary, this provocative avant-garde artist from Japan became one of the near prominent figures in her state'south contemporary civilisation and an fantabulous display of consistency in modern fine art.
Yue Minjun
Yue Minjun can safely exist defined equally one of the nigh humoristic artists on this list. This Beijing-based painter and sculptor uses the same motif in every single slice he creates – his ain face, usually frozen in a state of hysterical laughter. Regardless of what medium Minjun is working in, his self-illustrations are arranged in various settings, some ironically usual and some far from ordinary, all of them relying on Yue's confront to be the focal point. With unique compositions such as a scene placed amid a Jurassic period with two Juis laughing beside a BMW or a agglomeration of giggling Minjuns shooting another bunch of Minjuns who also have wide smiles on their faces, it is piece of cake to effigy out why this Chinese artist is held in such a high regard and has a wide fanbase. Minjun's unrivaled sense of humour is truly the strongest aspect of his work, simply the fact he places the same motif on every single painting and sculpture he authored is what secured his place on this list.
Riusuke Fukahori
Combining the fields of fine art and magic with his work, Riusuke Fukahori is a Japanese artist best known for his three-dimensional goldfish paintings created by pouring resin. Fukahori brings these adorable creatures to life by portraying them to a degree it is literally incommunicable to figure out if y'all are looking at a photo or a real fauna, let solitary a painting of a goldfish. These incredible examples are a result of a career-long dedicated and consistent depicting of these animals - all Fukahori does is pigment goldfishes and that is the exist-all and end-all of his work. The central aspect of his compatible piece of work is the fact Riusuke bases his art effectually a repetition of liquid resin pouring and acrylic painting that give the desirable three-dimensional effect. To say these fishes are realistically depicted would be an understatement as the subjects of Fukahori's work accept reached an impressive level much better described as an optical illusion. Furthermore, Riusuke claims he never uses photographs of models for his piece of work, challenge that everything he paints comes directly from his retentivity and imagination.
David Begbie
1 of the most unusual artists on our list whose style is completely unique and unrivaled, David Begbie is a Scottish sculptor that relies on metallic mesh wires in order to describe human figures and facial expressions. Such a technique resulted in numerous similar pieces, nearly of them presenting united states of america with human torsos which can safely be described as products of fine sculpting. These powerful, erotic, tactile and intimate pieces are one of a kind and they are only as astonishing as they are considering Begbie was defended enough to devote his unabridged career to creating the aforementioned subjects through the same method. This is even more impressive when y'all realize just how hard working with wire mesh tin be, especially when you lot devote and then much attending to details as David does. In other words, David achieved what very few artists earlier him managed to do – reach the sculpted perfection of course. And when put together, his images are conspicuously a consistent output that is unlike anything you've ever seen.
Blueprint and Repetition in Photography
Considering patterns and repetition can be found everywhere around us, photography has a fairly easy job to capture it. "Adequately," because even though a photographer does non need to invent one from scratch, similar painters need to, they should still have an heart for detail and the ability to integrate information technology in their composition the right way. The soothing feeling of routine that repetition provides for any kind of artwork is all-time expressed through contrasts, colors and structure in photographs, assuasive the image to evoke a sense of unity, coherence and continuity, rhythm, harmony, vividness and overall system [7]. There aren't many photographers who go and intentionally chase patterns and repetitions found in their firsthand surroundings; rather, it is ofttimes a chance encounter with natural or architectural elements that end up in their frame, sometimes even involuntary. Here, we're talking near artists working with nature and abstract prototype-making, although still life and aerial photographers are as well known for delivering some stunning imagery of repetition in fine art.
Photographing the Repetitive
Going way back in the history of photography, in that location are the pioneering images of Eadweard Muybridge, who was the very first to create a study of move. In 1878, he was hired past a racehorse owner to requite reply to the debate on whether all 4 anxiety of a horse were off the ground at the same time while trotting. His series of images show the same moving figure over and again and although information technology wasn't exactly a repetition, information technology was probably the first presentation of such pictures since the camera was invented, and Muybridge did photo the same items repeatedly. Correspondingly, Berndt and Hilla Becher documented the rural landscape of Frg throughout the 20th century; their photos of gas tanks and winding towers either show the same construction shot from dissimilar angles or group similarly-looking ones together[viii].
Occasional repetitive elements can too be establish in the production of Gordon Parks, André Kertész and László Moholy-Nagy. While Parks did portraiture and used patterns in grouping pictures, such every bit the 1963 Ethel Shariff in Chicago, Kertész and Moholy-Nagy were also street photographers who often took photos of lines, contrasts and geometric patterns in the urban surroundings. In the 1930s, Margaret Bourke-White as well donned several shots of workers and radio transmitters, which introduce broken repetition every bit another form of inventiveness which interrupts the continuity of elements and makes the image even more dynamic. More images of repetition photography can exist plant among the images past Harry Callahan, Bruce Davidson, Ed Ruscha and Ansel Adams, who came across many patterns in nature during his journeys. More recently, nosotros can talk about the creativity of Edward Burtynsky and, at times, Andreas Gursky, who emphasize the notion of massive repetitions.
Tips - How To Create Interesting Patterns and Repetition in Photography
To Infinity and Across - Where is Repetition in Art Today?
Is repetition in art a matter of the past? Information technology is highly unlikely that it will ever be. It is rather simple: its ability to express countless, flawless, captivating imagery is something that volition never exit of style. Apart from the extensive legacy left by modern and early contemporary artists mentioned above, many of the creatives working today are interested in achieving perfect, succinct images using repetition, which is why we still meet such a rich number of such images across a variety of media, genres and styles[9]. Think of the complex paintings by Chuck Close, who literally creates a bigger picture using smaller, repetitive elements, or Olafur Eliasson's numerous light installations, come to listen as well. Inspired by Escher's tessellations, artist Ben Parker uses newspaper to create mesmerizing artwork, and environmentalist Andy Goldsworthy teams up with nature to form radial sculptures and installations. Repetition was as well embraced by the street art movement, in particular with those working with paste-ups and posters, like Shepard Fairey. Since the advent of computers and the birth of Digital art, many software take been used to create patterns, although maybe the best display of repetition in this field is the invention of .gifs. In conclusion, repetition art offers a certain kind of ever-lasting inspiration that appeals to both artists and the audience, and this very fact makes us believe that the concept of reproduction is bound to repeat itself in the future as well.
Written by Silka P, Andrey 5. and Angie Kordic.
Exploring the temper of our present, where the repetition is seen equally a sign of boredom and breach labor, the author of the book adds a twist and suggest the idea that repetition is a moment of bliss and balance. Examining the repeat across unlike disciplines, such as gimmicky performance, trip the light fantastic practices, arts and crafts, and writing, the On Repetition: Writing, Performance and Art book offers a new face and originality to the interdisciplinary exploration of repetition within the gimmicky culture - at the same time drawing on psychoanalysis, philosophy, linguistics, sociology, and performance studies.
Sources:
- Anonymous, Repetition, Nook [Baronial 22, 2016]
- Konova, J., Repetition, The Chicago Schoolhouse of Media Theory [August 22, 2016]
- Anonymous, What is repetition in art?, Reference [August 22, 2016]
- Cooke, A. (2005), Repetition, Robert Henke [August 22, 2016]
- Bearding (2013), Principle of Repetition, Visual Communication Blueprint [August 22, 2016]
- Soriano, J.G., López Albert, C. (2014), Building Repetition Through History - Motivations And Implications, Mas Context [August 22, 2016]
- Bearding (2011), Repetition in photography, tattahaara [August 23, 2016]
- Horn, C., Introduction to Photography four: Repetition, Academia [August 23, 2016]
- Anonymous, Repetition, Rhythm and Pattern, flyeschool [August 23, 2016]
All images used for illustrative purposes but. Featured image in slider: Damien Hirst – Spot Painting. Image via whatartdoes.wordpress.com; Yayoi Kusama - Kusama with Pumpkin. Paradigm via anothermag.com; Andy Warhol - Dollar Sign; A Photography by Andre-Kertesz; Margaret Bourke-White - WOR radio transmitting tower, 1935; Gordon Parks - Ethel Shariff in Chicago, 1963. Image via the-vu.com
Source: https://www.widewalls.ch/magazine/repetition-in-art-artists-photography
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